My paintings do not have a concrete form but they are a direct expression of my perceptions.

I looked for clean to eliminate the intermediate objective world and portray my inner vision directly on canvas, for express it in terms of color and movement.

My intent is to establish a communication line directly from inner vision of the artist to the imagination of the viewer and elicit a specific emotional response.

Most of the time my doing leads me to deposit layers of colors one on top of the other, creating various non-tops representative, but paving the way for what will be the final result, in the gestures of my doing I open windows that show me my arrival.


These small paintings are part of a series of works made for lovers of abstract art. The lack of figures and any reference to reality is an artistic choice.

For a long time I have been painting and drawing in a figurative sense and I think that at some point in my artistic career I feel the need to go beyond what we define as "beautiful to look at". The need to bring all my inner feelings back to the canvas.

My paintings are pieces of my conscience.

My work stems from the need to express what I feel in relation to the world around me.

But beyond the simple desire for expression, it is a different feeling that pushes me to continue painting, a more physical and tangible feeling, the desire to complete what has begun.

Every job is not born when I physically arrive at the table but in the instant when something takes shape in my mind, this desire continues until I feel I have finished the job.


In this abstract framework, the language used wants to represent everything that is not visible and has no form, to do this the "dripping" is the technique I used in order to change the path that the image follows in order to arrive at what I am trying to achieve.

The apparently circular signs present in the painting are given by my constant movement around the canvas used during the creation of the painting.

The stain and lines of color despite the first impression convey a sense of chaos, instead they are positioned exactly where they need to be.

The true nature of my work is to make the painting a window that allows you to see my formless interiority.


These paintings are born with the aim of representing and showing memories in their purest form.

Without shape, size or structure in our mind everything becomes changeable and different losing the references with the reality and the surrounding world, this is what I wanted to represent.

The painting made with the use of oil colors is created by creating a multitude of layers of color and then removing a part of it with the use of spatulas, repeating the procedure several times and so these works were born.

Fragments, wants to be the representation of the changing addition of memories, one after the other, layer by layer but overall devoid of form and connections, leaving alive only the emotion and sensation of the experience they gave us.

A collection of works not belonging to a specific series. Single and settling works